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After the rip-roaring, fabric-of-time-and-space-tearing, explosively exciting, and terminally serious Star Trek: Discovery Season 2 finale, Star Trek: Discovery Season 3 Episode 1 was strangely slow and surprisingly humorous.
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Yes, it begins with a mysterious somebody living a perfectly Westworld sort of daily routine.
Yes, we also get a space chase with a couple of less-mysterious-but-still-unknown people, butting heads (and bulkheads) over a stolen cargo.
But then the rest of the journey to the credits is a long -- but beautiful -- unfurling of a heck of a lot of exposition.
Time travel's tricky. Ask anyone.
So the fact that the new Red Angel suit isn't able to precisely deliver on the planned journey to Terralysium isn't surprising.
And to bring Burnham and Discovery through to the same point in time? Nah, no one was betting on that either.
It's a super-cool story. It's just that it's in a completely devastating way.
Burnham- Permalink: It's a super-cool story. It's just that it's in a completely devastating way.
Way back on Star Trek: Discovery Season 1 Episode 3, it is established that Lewis Carroll's Alice in Wonderland was a formative text in Michael Burnham's life.
It taught her, despite growing up in Vulcan surroundings, that the world isn't ruled by logic and that she would need to apply it to the world around her.
Furthermore, it allowed her to believe in impossible things.
So, my conclusion is that the wormhole that brought her to the future is just the newest rabbit hole she fell (flown) through and that, although the literary allusion has pretty much worn out its welcome at this point, she'll just Alice her way through this new Wonderland.
Now, whether Book is her White Rabbit or, switching literary references, her Mr. Tumnus, remains to be seen.
What we do know is that he's smart, slick, and just a little desperate. Talks a good game. Loves his cat -- a lot.
Burnham: You have a very large cat.
Book: Yes, she has a thyroid condition.
Burnham: Does she have a name?
Book: Grudge.
Burnham: Because?
Book: She's heavy and all mine.
Book: Yes, she has a thyroid condition.
Burnham: Does she have a name?
Book: Grudge.
Burnham: Because?
Book: She's heavy and all mine.
- Permalink: She's heavy and all mine.
He's also got that cool Dr. Doolittle thing going on.
We know that he's goig to be a series regular because his ship has been added to the opening credits.
(Also added is an army of Dot-7s, which tweaks my interest in how Star Trek: Short Treks Season 2 Episode 5, 'Ephraim and Dot,' is going to tie into this season.)
But, back to Book, he's got a lot of the Han Solo vibe going for him, which probably means a romantic side plot for Burnham, but, honestly, from everything I've seen thus far, she's trading WAY up from her last entanglement.
Plus, he's got a cat.
And a ship.
And we can be pretty confident that he's never been a Klingon, unless they programmed this one with a memory of familial dysfunction.
Burnham: What is it like, feeling everything?
Book: Uncomfortable. My family are killers. Poachers. Every so often one like me shows up in the gene pool. I don't know, something to do with balance, I guess.
Book: Uncomfortable. My family are killers. Poachers. Every so often one like me shows up in the gene pool. I don't know, something to do with balance, I guess.
- Permalink: Uncomfortable. My family are killers. Poachers. Every so often one like me shows up in the..
He also saves transworms and transports them to sanctuary planets so that they can breed -- and splash around a lot. (Unless that's part of the breeding process? Huh.)
The Orion-Andorian Mercantile system is an interesting twist, especially since they don't seem to work together all that well.
Burnham would be fully entitled to still be in shock after what she'd been through, but I think my favorite moment was her country mouse look of amazement when she saw people using personal transporters.
(Small plothole nitpick: Why are they waiting to be scanned in if people can just transport wherever? Perhaps they can transport out but not in?)
We left everything that I have ever known or loved behind me for the sake of creation. Right? If you think about it, let's be honest, I saved all the things. And then I shot out of a wormhole and I hit a guy.
Burnham- Permalink: We left everything that I have ever known or loved behind me for the sake of creation. Right?..
My second favorite scene was Burnham under the influence of the truth gas the security Tweedle-Dee and Tweedle-Dum hit her with.
Between her moments of self-realization and her frenetic stream-of-consciousness babbling, it's probably more range than Sonequa Martin-Green's been allowed to have in the role in years.
Burnham: You guys have a real problem if your couriers are stealing stuff and then colliding with thousand-year-old women in space.
Orion: What cargo was he hauling?
Burnham: I don't know. But it was temperature-sensitive and really valuable so it's probably ice cream.
Orion: What cargo was he hauling?
Burnham: I don't know. But it was temperature-sensitive and really valuable so it's probably ice cream.
- Permalink: I don't know. But it was temperature-sensitive and really valuable so it's probably ice cream.
And she obviously had a lot of fun with it. I liked how she warned them NEVER to hit Tilly with that gas.
Let's see. We've covered shooting out of the temporal wormhole, meeting Book and Grudge, and getting drugged. There's not much to discuss regarding the escape from the Mercantile (and the many times she punches Book) and getting swallowed then regurgitated by the transworm.
Ah, yes, the Burn and the current state of the Federation.
The Burn was the day the galaxy took a hard left. Dilithium. One day, most of it just went boom.
Book- Permalink: The Burn was the day the galaxy took a hard left. Dilithium. One day, most of it just went..
I still find it suspiciously coincidental that the moment seen as the beginning of the Federation's fall is called 'The Burn' when our central hero is named 'BURNham'
It'll be interesting to see if why dilithium became unstable is actually investigated or if it'll just be accepted as a thing.
It's more likely that rebuilding the Federation will be central. Perhaps with a fleet of spore drive ships?
The Federation isn't just about ships and warp-drive. It's about a vision and all those that believe in that vision.
Burnham- Permalink: The Federation isn't just about ships and warp-drive. It's about a vision and all those that..
Did anyone else almost forget about Mysterious Routine Man from the opening scene by the time Book docks at the relay station?
His story is touching but borders on some hella crazy fanaticism.
![New New](https://cimg.tvgcdn.net/i/r/2014/03/27/70599727-50ea-4b0f-85a2-62f879452a8c/thumbnail/640x440/b0c460e92d34f6a4db493ca1bcf786f6/140326-psych1.jpg)
(Also, if the flag's been in his family for generations, why didn't his father or grandfather -- commissioned officers by his testimony -- hang it?)
I watched this office every day as I have for forty years believing, one day, others like me would walk through that door. And my hope was not in vain. Today is that day and that hope is you, Commander Burnham.
Sadil- Permalink: I watched this office every day as I have for forty years believing, one day, others like me..
But, all snarkiness aside, I know the takeaway is that he's an example of the hopeful remnants of the Federation. That there is a Federation waiting to be revived.
I mean, Burnham et al. (wherever they are atm) saved the universe already. Surely reinstating a bureaucracy to govern two quadrants without warp-capable ships or long-range communications won't be harder than that?
Sadil: Hope is a powerful thing.
Burnham: Sometimes, it's the only thing
Sadil: Our numbers are few. Our spirit is undiminished.
Burnham: Sometimes, it's the only thing
Sadil: Our numbers are few. Our spirit is undiminished.
- Permalink: Our numbers are few. Our spirit is undiminished.
However you feel as you watch Star Trek: Discovery online -- whether disappointed, elated, or maybe a little sleepy -- it's nice to have them back.
With Jonathan Frakes at the helm for much of the season, there's bound to be a lot of legacy love stirred into the execution of a season that quite literally goes where no other Trek has gone before.
Let us know in the comments what your impressions are so far?
What are your craziest predictions?
What are your deepest concerns?
Go ahead, fill me in at a 'warp factor of five, six, seven, eight!'
That Hope is You, Part 1Review
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Television
- The development of television systems
- Principles of television systems
- The television picture
- Image analysis
- The scanning pattern
- The picture signal
- Compatible colour television
- European colour systems
- Television transmission and reception
- Transmission
- Reception
- Television cameras and displays
- Camera image sensors
- Displays
- Picture tubes
- Video recording
- Motion-picture recording
- The television picture
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Donald G. FinkSee All ContributorsDirector, Institute of Electrical and Electronics Engineers, New York City, 1963–74. Author of Television Engineering.
Tv Pilot 2 0 0 – Discover New Tv Series 2019
Television (TV), the electronic delivery of moving images and sound from a source to a receiver. By extending the senses of vision and hearing beyond the limits of physical distance, television has had a considerable influence on society. Conceived in the early 20th century as a possible medium for education and interpersonal communication, it became by mid-century a vibrant broadcast medium, using the model of broadcast radio to bring news and entertainment to people all over the world. Television is now delivered in a variety of ways: “over the air” by terrestrial radio waves (traditional broadcast TV); along coaxial cables (cable TV); reflected off of satellites held in geostationary Earth orbit (direct broadcast satellite, or DBS, TV); streamed through the Internet; and recorded optically on digital video discs (DVDs) and Blu-ray discs.
The technical standards for modern television, both monochrome (black-and-white) and colour, were first established in the middle of the 20th century. Improvements have been made continuously since that time, and television technology changed considerably in the early 21st century. Much attention was focused on increasing the picture resolution (high-definition television [HDTV]) and on changing the dimensions of the television receiver to show wide-screen pictures. In addition, the transmission of digitally encoded television signals was instituted to provide interactive service and to broadcast multiple programs in the channel space previously occupied by one program.
Despite this continuous technical evolution, modern television is best understood first by learning the history and principles of monochrome television and then by extending that learning to colour. The emphasis of this article, therefore, is on first principles and major developments—basic knowledge that is needed to understand and appreciate future technological developments and enhancements.
A. Michael NollThe development of television systems
Mechanical systems
The dream of seeing distant places is as old as the human imagination. Priests in ancient Greece studied the entrails of birds, trying to see in them what the birds had seen when they flew over the horizon. They believed that their gods, sitting in comfort on Mount Olympus, were gifted with the ability to watch human activity all over the world. And the opening scene of William Shakespeare’s play Henry IV, Part 1 introduces the character Rumour, upon whom the other characters rely for news of what is happening in the far corners of England.
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For ages it remained a dream, and then television came along, beginning with an accidental discovery. In 1872, while investigating materials for use in the transatlantic cable, English telegraph worker Joseph May realized that a selenium wire was varying in its electrical conductivity. Further investigation showed that the change occurred when a beam of sunlight fell on the wire, which by chance had been placed on a table near the window. Although its importance was not realized at the time, this happenstance provided the basis for changing light into an electric signal.
In 1880 a French engineer, Maurice LeBlanc, published an article in the journal La Lumière électrique that formed the basis of all subsequent television. LeBlanc proposed a scanning mechanism that would take advantage of the retina’s temporary but finite retainment of a visual image. He envisaged a photoelectric cell that would look upon only one portion at a time of the picture to be transmitted. Starting at the upper left corner of the picture, the cell would proceed to the right-hand side and then jump back to the left-hand side, only one line lower. It would continue in this way, transmitting information on how much light was seen at each portion, until the entire picture was scanned, in a manner similar to the eye reading a page of text. A receiver would be synchronized with the transmitter, reconstructing the original image line by line.
The concept of scanning, which established the possibility of using only a single wire or channel for transmission of an entire image, became and remains to this day the basis of all television. LeBlanc, however, was never able to construct a working machine. Nor was the man who took television to the next stage: Paul Nipkow, a German engineer who invented the scanning disk. Nipkow’s 1884 patent for an Elektrisches Telescop was based on a simple rotating disk perforated with an inward-spiraling sequence of holes. It would be placed so that it blocked reflected light from the subject. As the disk rotated, the outermost hole would move across the scene, letting through light from the first “line” of the picture. The next hole would do the same thing slightly lower, and so on. One complete revolution of the disk would provide a complete picture, or “scan,” of the subject.
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This concept was eventually used by John Logie Baird in Britain (see the photograph) and Charles Francis Jenkins in the United States to build the world’s first successful televisions. The question of priority depends on one’s definition of television. In 1922 Jenkins sent a still picture by radio waves, but the first true television success, the transmission of a live human face, was achieved by Baird in 1925. (The word television itself had been coined by a Frenchman, Constantin Perskyi, at the 1900 Paris Exhibition.)
The efforts of Jenkins and Baird were generally greeted with ridicule or apathy. As far back as 1880 an article in the British journal Nature had speculated that television was possible but not worthwhile: the cost of building a system would not be repaid, for there was no way to make money out of it. A later article in Scientific American thought there might be some uses for television, but entertainment was not one of them. Most people thought the concept was lunacy.
Nevertheless, the work went on and began to produce results and competitors. In 1927 the American Telephone and Telegraph Company (AT&T) gave a public demonstration of the new technology, and by 1928 the General Electric Company (GE) had begun regular television broadcasts. GE used a system designed by Ernst F.W. Alexanderson that offered “the amateur, provided with such receivers as he may design or acquire, an opportunity to pick up the signals,” which were generally of smoke rising from a chimney or other such interesting subjects. That same year Jenkins began to sell television kits by mail and established his own television station, showing cartoon pantomime programs. In 1929 Baird convinced the British Broadcasting Corporation (BBC) to allow him to produce half-hour shows at midnight three times a week. The following years saw the first “television boom,” with thousands of viewers buying or constructing primitive sets to watch primitive programs.
Not everyone was entranced. C.P. Scott, editor of the Manchester Guardian, warned: “Television? The word is half Greek and half Latin. No good will come of it.” More important, the lure of a new technology soon paled. The pictures, formed of only 30 lines repeating approximately 12 times per second, flickered badly on dim receiver screens only a few inches high. Programs were simple, repetitive, and ultimately boring. Lrtimelapse pro 4 3 download free. Nevertheless, even while the boom collapsed a competing development was taking place in the realm of the electron.
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